Life is Beautiful: A Summary

In the characterisation Life is good-looking, Guido, the Judaic- Italian, is the protagonist of the film. The whole movie spirals around him at all times. In the second part of the movie, Guido and his password were obliged to board the death train that jam-packed likes sardines towards the concentration camp. Guido clearly knew that once they had disembarked from the train, there leave loafer be hardly any chance for them to beget to where they belonged. Since Guido and his news, Giosue, stepped onto the train, not only they journeyed into the concentration camp they too voyaged into mountains of white lies which lied deep in the extraordinary fantasies.In my opinion, I think that Guido made a secure decision in lying to his countersign that the final solution events were a but a game. There are many reasons that Guido was decent ab aside in c everywheret the loyalty over his sons eyes. atomic number 53 of which is beca apply his son, Giosue, did not have to be exp osed to the foul trueity at such young age. The photo to the cruel reality would only tarnish his childhood. It lead be a heavy encumbrance for Giosue to expire through his childhood under the scornful and teasing eyes of the so-called superior Italians kno produceg that just due to the fact that he is a Jewish people.Like any an another(prenominal)(prenominal) parents, Guido was no different in protecting his son from the ruthless and unwanted veracity. It is straightforward in the movie that Guido made no confinement in showing his love for Giosue while in the concentration camp. From hiding the truth about the final solution events to sharing his hard-earned portion of food with his son, Giosue was showered bountifully with paternal loves. Guido kept telling Giosue that they were in a game, a real-life competition which the master would be rewarded a real tank. Guido managed to keep Giosue in awes because he knew that tank was Giosues favourite toy.By creating wonderf ul fantasies over the hopeless situation, Guido swallowed big money every moment of splinteringterness in replacement of his sons ecstasy of becoming the winner of the game. This way of concealment revealed that Guido loved his son very much. Even in a approximative and hapless condition, Guido still managed to flash his smile to check his son that they were the top cont ceaseer to earn the reward. Obviously, he never wanted a single bit of cruelty and unfairness to corrupt Giosues childhood.In other word, he wanted Giosue to be like other hildren, relishing his childhood with bundles of toys and stacks of joyfulness. Indeed, Guido had to mask the truth for the sake of Giosues future. By telling Giosue that the final solution events were just a game, Guido gave Giosue the might to survive through the inhuman treatments in the concentration camp. In the meantime, cerebration deeply, Guido also instilled discipline and perseverance into Giosues minuscule mind. By creating rules for the competition, Guido was actually training Giosue to be disciplined and meticulous in order to win the first prize.Guido made titanic sacrifices behind all of his lies about the concentration camps. Even with the gun pointing at him from behind, his cheeky antic marching console and lightened up Giosue. Till the end, his walls of white lies and machinations shielded his son from the cruel reality. Guido died with his wondrous fiction without having to fret over the future of Giosue as his life and the lessons he had intimate were very real. Is that right for Guido to tell his son that the final solution events were just merely a game? I certainly think that Guido was respectable and undoubtedly right in plotting his moves.He moulded his seamless imagination and full-heart-content love into painful fantasies to shelter his son and protect his sons future. It is what all great parents will do. In the movie, Guido employ his vast imagination to make the best out of the wick ed mountain of him and his family. Guido was a downright starry-eyed and creative person. He made good use of the situation and events to show his imagination which often leads into bursts of laughter. Guido created simulated world for those around him, especially his wife, Dora and his son, Giosue. He constantly referred Dora as princess and claimed to be a prince himself.When Guido mounted on a horse to rescue Dora, he was in fact entertaining the fantasy of the knight rescuing the damosel in distress. Nevertheless, he was literally saving her from her environment and actually was whisking her away on a horse. Although they twain knew the truth, they were willing to entertain the fantasy and play the game. In this way, Guido formed a way for him to cope with reality and impregnated it with beauty and wild fantasy. Guido also cultivated several(prenominal) coincidences so that he could appear to have controlled fate and performed trick.He was not delighting in fraud or decep tion, he actually enjoyed creating another world of wonders for someone else. This accentuates the image that a persons perception is infixed and fundamental to his manipulations and hence he affects how they handle the simpleness of the world. Guidos perfect life was brought to a admit when he and his family were forced to board the one-way train, and his creativity and imagination were never cease to exist. Guidos imagination not only aided him in winning Doras hands over her fiance as well as shielded his son, Giosue from the spears of racist treatments.When Guido told Giosue that everything in the concentration camp was just a game, he was creating a fiction, in other lecture lies, to keep Giosues spirits up. Although his fiction seemed exaggerated, he aimed to protect his son from the wicked reality. At end of the film, Giosue had survived the concentration camp with perseverance and courage. Eventually, Giosue claimed his first prize, a ride on the real tank. In the mo vie Life is Beautiful, fantasy is truly believed squirt become reality.